Photoessay: Searching for a Mood Under the Highway
I hope you had a Happy Thanksgiving. We did, it was great spending time with family as always. I had much to be thankful for this year, including a more experimental attitude. Why not?
I’ve been exploring the Blackstone River area in Massachusetts over the last few months. It is striking just how much psychological as well as environmental territory the River covers. Though it remains quite polluted from centuries of exploitation, stretches of the River are quite beautiful and natural. Other stretches are, more complex. No stretch of the River though, at least that I have traveled, requires more effort to understand than the Blackstone Valley Bike Trail in Worcester, Massachusetts, where the River originates. Along this two mile or so stretch you will see the River, a super highway (Route 146), an active freight train yard and line, as well as legacy tracks, a Walmart and Sam’s Club, trees being cut by a beaver, beautiful small falls and rapids, trash and signs that say stay away from the water for health reasons. It’s all right there. Nature and civilization crash into one another at top speed in places and this is one of those locations.
I have photographed there for months, searching for the right way to capture the feel of such a complex place. I’d used most every technological trick I could think of, but ultimately wasn’t satisfied. I decided to go back and try again, this time with black and white film. Digital is just capable of making pictures that are too perfect for this location it seemed to me. Nothing about this location says “perfection.” This work, like this location, is incomplete and some of the images you see here may not survive the next cut. This is where things stand though at the moment.
Shooting on film is interesting of course. I realize that the look can be replicated in software using a digital means of capture. But that somehow doesn’t seem quite right at times. What is really different about shooting on film is the process. You do indeed slow down. You have to for economic reasons if nothing else. For a time, you have to step away from the technological (rat) race. It’s quite refreshing.
Tech Notes: Shot on Kodak TMax and Ilford Delta films using a Nikon F6. The later, for my money, remains the finest 35 mm camera ever made. Negatives scanned on a Nikon 5000 film scanner and finalized in Lightroom/Photoshop (You can’t really escape the technology can you.)