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Posts from the ‘Exhibitions’ Category

Season’s Greetings

2020, what can one say that hasn’t already been said? Nothing that could be shared on a family site, that’s for sure. Like nearly everyone else on the planet, my life was turned upside down in March of this year. My day job, which I love very much, is that of a professor, really a teacher. I am fortunate enough to have the chance to work with some truly terrific students. In March, they rallied in spite of everything that was going on, and we, the faculty, tried to keep up with them. Actually, most of us tried to help them which was tough because we were caught in the same fire storm.

When you are trying to teach or learn (or probably do anything), everything on line is more difficult than it is face to face. Everything takes more time. Everything takes more energy. You are much less sure of whether or not you are being understood and whether or not you are understanding your students. There is almost no time for “chatting” which turns out to be one of the most important activities in which humans engage. Chatting is where we really find out the truth, what is going on, how someone else is doing, and how you’re doing. You can’t schedule an accidental chat on line.

I have had 110 students in the fall, 85 or so more this spring. Luckily, the spring folks are people who I got to know in the fall. We did a sprint in the fall semester, August 24 till the day before the Thanksgiving (U.S.) break. No vacation days, no holidays, just keep at it. But we got some good work done and we got to know one another. Now we are in the middle of a two month break before we go into another sprint. I have to say, I miss them, most of the time….

But I’m OK, the family is OK, no one who was close to us got the virus….and hopefully we’ll keep it that way. We were blessed with a new granddaughter in January, before the roof caved in. We can all whine with the best of em, but we really are very fortunate. There but for the grace of God go I. Some of my students (my students are all online and all over the world) did get covid. They have all survived. It’s terribly real and terribly frightening. Don’t believe for a second that some young people as well as their families don’t become terribly ill. They do. In the U.S. we screwed this up royally. It didn’t have to be as bad as it has become. Help, as everyone knows, is on the way. Everyone in my world is anxious to take the vaccine and get on with life (though we all know that it won’t be that simple or that quick).

So the photographic work had to take a bit of a back seat. I do have two large projects underway and hopefully the galleries will be opening by the fall. I will be returning to blog writing from here on out, as I love it, and I don’t like the limitations and craziness of Facebook, etc. The two projects I do have underway have some serious angst attached, not surprisingly, so they didn’t seem right for the season.

Fortunately, I had an alternative. If you’ve read this blog for a while you may recall these images. They are from a series titled, “The Color in the Grass.” These are very high key images of fall grasses taken at the Broadmore Audubon location in Natick, Massachusetts. On a lark, I entered them in a juried exhibition pool at Photoplace Gallery in Vermont, the exhibition being appropriated titled “Botanicals.” Amazingly, one of them made the cut.

Those of you who like botanical/flower imagery should take a look at the exhibition, which is posted on line. You can find it here. The imagery in the show is amazing. I can’t for the life of me figure out why my image was chosen, but nevertheless, I appreciate the honor! Here are some additional images from the set, a seasons greetings to you all. Here’s to a much better 2021!

Erosion and the Power of Nature

I’ve restated the obvious a few times on this blog. Nature is more powerful than we are. Does anyone still need convincing? Probably, I’m afraid. I don’t.

A now more subtle case in point of course is erosion. Wind and water overpower the land and our human dreams of the conquest of nature. Like many nature photographers, I’ve spent a fair amount of time trying to capture erosion, with mixed success. Last fall I was honored to have a number of my erosion images featured at the Aldrich Gallery, Whitin Mill in Whitinsville, Massachusetts. They are now working on creating an online platform for that exhibition.

The move to the creation of online exhibitions in the times of Covid is a most interesting one, saying something about our resilience. We can’t have real exhibitions, at least not quite yet, but we’ll see if we can come up with something else. It’s actually a very creative process, pushing me to move ahead by going back to the creation slide shows, just like the old days. Slide shows offer you an opportunity to expand the narrative to include sound, as well as more imagery than you’re likely to get in an exhibition. I often think about trying to create immersive experiences, without the excessive use of technology. Audio helps (so turn up the volume on your device to about 50%). I’ll leave it to you to be the judge. If you are on a mobile device and can’t see the thumbnail below, you can find the slide show here.

Earth Day 2020 Online Exhibition

I’m grateful to have been included in “Earth Day 2020” hosted by Gallery Sitka. As mentioned in my previous post, this exhibition was to have opened this week, but things have changed, as we all know.  Art continues however.  This is a mixed media exhibition.  I am a huge fan of photography been shown with other forms of visual art.  Melissa Richards, the curator, has done a great job of curation.   I particularly drawn to her use of color.  You can find the online gallery here.

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Earth Day, 2020, Gallery Sitka

Earth Day rolls around again on April 22 and it is going to be a difficult one.  Like nearly everyone in the world, we’re hunkered down and trying to stay healthy.  It is so heart breaking to hear that so many are unable to achieve what was once such a given.  And of course, it’s always the most vulnerable and the most disadvantaged who seem to be paying the price, along with those from health care to the grocery supply chain.  I am reminded of lessons I’ve learned from a colleague, an environmental scientist, the put this into some kind of larger perspective.  The point of environmentalism isn’t to save the planet.  The planet will survive, albeit perhaps it will evolve. Nature is stronger than the human race.  We need to save ourselves.

In earlier times, what seems like a thousand years, but was really just a month or two ago, I submitted some work for consideration for an Earth Day Exhibition, at Gallery Sitka.  The juror is Melissa Richard, a mixed media artist and educator.  I’m grateful to have been chosen to show in the exhibition, but now of course, the exhibition will be going online.  I’ll pass the url along when I can.   Thanks to Melissa and the folks at Gallery Sitka.  I’ve mentioned this before, but the power of water is awesome (as in inducing a sense of awe, not as in being really really cool).  Perhaps we should pay it more attention.

Erosion, Croatan Sound #1, 2015

Erosion, Croatan Sound #2, 2015

Erosion, Ocean City, New Jersey, 2010

Deindustrialization Opening

Deindustrialization Invitation for web

If you’re in the Boston area, I want to invite you to the opening of my exhibition, “Deindustrialization,” taking place Thursday evening, November 7 from 5 – 7 PM.  The exhibition consists of twelve large scale portraits of textile mills from the Blackstone Valley region of Massachusetts and Rhode Island. There will be an artist talk shortly after 5, mingling, and I believe free food!  The opening will take place on the campus of Babson College, in the Hollister Gallery.  Directions are here.

I want to thank BabsonArts and Associate Director Danielle Krcmar for making this all possible.  This work was sponsored in part through a sabbatical grant from Babson College, for which I’m also most grateful.  The work was printed on metal, an amazing process, by the wonderful folks at Blazing Editions .  Working with them and more specifically Juliette Pascale was a joy.  The results were stunning.

On another note, this exhibition is really a bit less of a celebration and more of a remembrance.  The industrial revolution in the U.S. and indeed around the world, a revolution that is still going on in many places, brought with it a tremendous upsurge in wealth.  At the same time, it brought with it massive sacrifices on the part of those who did the work and the communities in which these mills were built.

The raw materials for the cotton mills prior to the U.S. Civil War were farmed by enslaved workers kidnapped from Africa.  Even after the Civil War the combination of share cropping arrangements and terror enforced by organizations like the KKK imposed the most severe hardships on those involved.  Working conditions in the mills, though not as bad as one would find in England at the time were extremely harsh.   The environmental degradation that occurred because of the mill industrial waste and the repeated damming of the rivers of the Blackstone Valley is still with us today.

At the same time, mill employment helped to create, at least in part, a melting pot, bringing people together from much of the world, into what became in many places a real community.  Some of those communities still exist today as well.  The boom and bust phenomena, a phenomena which continues unabated, is ultimately a harsh developmental path for our society.