If you’re in the Boston area, I want to invite you to the opening of my exhibition, “Deindustrialization,” taking place Thursday evening, November 7 from 5 – 7 PM. The exhibition consists of twelve large scale portraits of textile mills from the Blackstone Valley region of Massachusetts and Rhode Island. There will be an artist talk shortly after 5, mingling, and I believe free food! The opening will take place on the campus of Babson College, in the Hollister Gallery. Directions are here.
I want to thank BabsonArts and Associate Director Danielle Krcmar for making this all possible. This work was sponsored in part through a sabbatical grant from Babson College, for which I’m also most grateful. The work was printed on metal, an amazing process, by the wonderful folks at Blazing Editions . Working with them and more specifically Juliette Pascale was a joy. The results were stunning.
On another note, this exhibition is really a bit less of a celebration and more of a remembrance. The industrial revolution in the U.S. and indeed around the world, a revolution that is still going on in many places, brought with it a tremendous upsurge in wealth. At the same time, it brought with it massive sacrifices on the part of those who did the work and the communities in which these mills were built.
The raw materials for the cotton mills prior to the U.S. Civil War were farmed by enslaved workers kidnapped from Africa. Even after the Civil War the combination of share cropping arrangements and terror enforced by organizations like the KKK imposed the most severe hardships on those involved. Working conditions in the mills, though not as bad as one would find in England at the time were extremely harsh. The environmental degradation that occurred because of the mill industrial waste and the repeated damming of the rivers of the Blackstone Valley is still with us today.
At the same time, mill employment helped to create, at least in part, a melting pot, bringing people together from much of the world, into what became in many places a real community. Some of those communities still exist today as well. The boom and bust phenomena, a phenomena which continues unabated, is ultimately a harsh developmental path for our society.
Greetings. For this in New England, I want to pass along an invitation to join us this coming weekend in Grafton, Massachusetts for the Small Stones Festival of the Arts (access the link for more information and directions). This represents a cooperative effort on the part of a number of area arts organizations as you can see.
I am grateful to the photography jurors (Nancy Burns, Scot Erb, Donna Dufault and Robert Ring) for choosing a number of my images for exhibit. They represent a fairly electic display, so we’ll see how that all works. I’ll be there on Friday night and again on Saturday afternoon.
I want to give a major thanks to ArtsWorcester, the cultural hub for emerging artists in Central Massachusetts, for the opportunity to present a solo exhibition of my work in the Franklin Square Gallery at the Hanover Center. I’ve posted about the exhibition, “Under the Highway: Blackstone River Landscapes,” recently but the opening was held on the evening of June 27th. It was a terrific evening bringing together a wonderful combination of folks interested in the arts and the environment. In particular, I want to thank Juliet Feibel, Executive Director who took the chance on staging the exhibition and guided everything from start to finish, Kate Rasche, Program Manager who got it done in the trenches, Tim Johnson, Art Preparator who hung the exhibition and Alice Dillon from Clark University who wrote a nice piece on the exhibition for visitors who stop by over the next four months. The hanging of an exhibition as many of you probably know is an art in and of itself. If the exhibition is not properly hung, including aesthetically hung, the individual pieces of art lose much of their impact. It’s very hard work to hang an exhibition. I know my limitations and Tim will never get any competition from me.
Typically, it’s helpful to get your name in the paper, though these days I’m not always so sure. But there were two nice pieces in the Worcester Telegram and Gazette, pre and post opening. Press and pictures from the Opening can be seen at that link. Nancy Sheehan from the Telegram also wrote her very interesting take on the exhibition which she titled, “What nature has given us” which you can also check out by clicking on the link. Thanks to the Telegram for supporting the arts with their coverage.
I have to throw in a another more general plug for ArtsWorcester. As a business person for too many years, my eyes and ears are always assessing how a business is run. Do they know what they are trying to do and do they provide a well orchestrated operation for getting it done. ArtsWorcester gets high marks on all counts even though they are not a large organization. I’ve worked with quite a few galleries over the years, and many of them are pretty shaky on both mission and execution. As some of you may also know, ArtsWorcester has just had a very successful fund raising campaign in a very short period of time. When donors are willing to vote with their wallets, something good is happening.
Finally, thanks to everyone who attended. Your support means so much.
EXHIBITION OPENING AT THE FRANKLIN SQUARE GALLERY, HANOVER THEATER, JUNE 27, 6 – 8PM. ARTIST TALK AT 6:15. REFRESHMENTS WILL BE SERVED!
I’m happy to report that an exhibition of my work from the Blackstone River will be opening at the Franklin Square Gallery at the Hanover Theater in Worcester, Massachusetts on June 27. The exhibition is produced by ArtsWorcester and I’m eternally grateful for this opportunity.
The exhibition works were taken along the Blackstone River Bikeway, in Millbury and Worcester, Massachusetts. The Bikeway, which is an even better walking trail, was created during Worcester’s “Little Dig,” i.e. the reconstruction of Route 146, around 2000. I have been fascinated by the anxious beauty there since I first explored the Path in 2013. One can see the interaction of the River, the highway and the railroad, and society in the context of an urban park.
The River is both beautiful and long suffering. The bikeway was created as part of an effort to celebrate and restore the River through the establishment of the Blackstone Valley National Heritage Corridor. The Blackstone has enormous historical significance as the engine of entrepreneurship in the new United States in the late 1700’s. Enormous wealth was created, thousands were employed, but the River was taken for granted. As I’ve described here previously, the River became one of the most polluted rivers in the country. Now, many folks are trying to help the River and the surrounding areas, but it’s tough going. I hope the exhibition contributes to raising awareness of the hidden beauty of the River even in this seemingly hostile environment, celebrating the work that’s gone into trying to help the River and at the same time demonstrating the ever present possibility that we could take our environment for granted at any moment.
I’m honored to report that one of my images just received a third place award at the “Anything Goes” Photography Exhibition at the Blackstone Valley Arts Association in Uxbridge, Massachusetts. There is some tremendous work in the exhibition so if you’re in the area, considering stopping in. I was particularly pleased because the juror was Stephen Dirado. He’s one of the top fine art photographers in New England and though I’ve actually never met him, I’ve followed him for some time. He shots large format black and white photography, and his imagery is absolutely stunning. This is an abstract image, taken at the South Natick Dam along the Charles River. I thought of a Greek Letter. You’re invited to draw your own conclusions.