Skip to content

Posts from the ‘Massachsetts’ Category

Working with Color Infrared

This is a technical post, which I never do, so apologies in advance.  I’m actually fairly enthusiastic about some recent developments that I wanted to share.  I have never enjoyed my only rather mundane efforts with color infrared images.  They never looked right to me, only somewhat “cooked” in digital photo parlance.  As such, I typically convert them to black and white and sometimes am pleased with the results.  I”ve been working with a new process for the past several months, and actually published a few results on my previous Earth Day blog.  I have continued to experiment and been relatively happy with the results so I thought it might be useful to share a few details.

The story begins with an e-mail from Kolarivision (my new Infrared camera conversion company with which I am quite pleased) regarding a course they were recommending.  Perhaps bored at the time, I thought I’d give it a try.   The name of the course is Creative Light and Infrared.  You can find out the details about the course here.    I’ll stress up front that I am not a paid endorser for this group, F64 Academy, have never met them, nor talked with them, ever.

The course offers an in-depth exploration of the digital infrared post production process, along with several  accompanying and quite useful tools.  If you’ve done any infrared photography, you know that there are a few significant challenges you face in post production, particularly with color.  The biggest one is that the white balance setting you use in the camera likely won’t hold once you bring an image into your average photo editing program.  It goes all red or at least mostly so.  Worse yet, most photo editing programs don’t have enough range in their white balance settings to be able to fix the problem.  Second, if you’re interested in color infrared images it can be most helpful to effect a “channel swap”, coverting the red channel to blue and the blue channel to red.  I’ve known that for years, but like many photographers was never, ever satisfied with the results.  Adding insult to injury, if you get an image to actually work for you, it is hard to replicate it.

The course walks you through the process of creating a Lightroom/Camera Raw profile that you can apply to your images and effect a nice looking white balance.  In addition, the course provides a set of LUTS that layer on top of the correctly balanced image that will offer you various different channel swapped looks, including looks that are fairly photorealistic. Finally, the course ships with an extensive panel of actions for use inside photoshop, as well as detailed instructions for their use.

So enough with the jargon.  These are from my work with mills in the Blackstone River Valley of Central Massachusetts.  The first two are of the Bernat Mill in Uxbridge, Massachusetts.  The mill burned in 2007.  The last is from the Wilkinsonville Mill in Sutton, Massachusetts.  Wilkinson was an associate of Samual Slater, the first builder of mills in the Blackstone Valley.Hunt_190509__DSC0572-Edit-2Hunt_190509__DSC0576-Edit_DSC0802-Edit-2

This is still a work in process as you can see, but my interest hasn’t flagged so far.  One of the most interesting aspects of photographic work is the almost never ending opportunities for learning that you can stumble across.  Courses like this aren’t cheap, and some are duds.  This one was helpful.  Of course, YMMV.

 

Earth Day Greetings

My work in the Blackstone Valley of central Massachusetts and Rhode Island constantly reminds me of the tension between human activity and the environment.  Tension of course can lead to both positive and negative results, on occasion simultaneously.  We visited the Blackstone Gorge yesterday, and tried to picnic at the Roaring (or Rolling, depends on who you ask) Dam.  It’s a beautiful spot.  There’s been a dam here since the early 1800’s.  The purpose of the dam was to create a power supply for the explosion of textile mills built along the banks of the Blackstone River.  The mills are long gone.  The water is getting cleaner thanks to the work of many citizens, communities and various government agencies.  But the sediment, the dirt under the River, is still toxic in many places.  Removing the sediment will be enormously expensive.  Perhaps too expensive.  But we’re left with the water’s beauty.  A good deal?  Perhaps a good lesson.

_DSC0408

_DSC0412

_DSC0402

_DSC0401

_DSC0410

 

What Next?

I live in the Blackstone Valley of central Massachusetts which continues into Rhode Island.  I’ve written here about the Valley in previous posts.  I love it here for many reasons, but one of which is that history is so visible, nearly everywhere.  That’s a feeling I appreciate.  I grew up near Williamsburg, Virginia.  You could drive to the historic region there and if you could find a place to park, you could walk right out onto Duke of Gloucester St., and back into time, at no charge (then, not sure now).  By that time, the 1960’s, Williamsburg had been fixed up, restored as it were to its former architecture.  In the early 1900’s you would have seen the same buildings, but not in nearly so pristine condition.

The historical artifacts of the Blackstone Valley lie somewhere along that continuum.  Those artifacts, specifically mills, or we what might be more generally termed factories, stand out from the otherwise rural or suburban landscape.  The mills were built along the Blackstone River or one of its tributaries.  They were located to take maximum advantage of the flow of the rivers and their ability to turn water wheels.   Those water wheels connected to the machines that for the most part spun and weaved cotton and wool fabrics.  The connections involved elaborate sets of gears and belts.  The mills were usually built up, not out, in order to create a more compact operation and take advantage of the strengths of such power systems.  The industrial revolution in the United States began here, in the late 1700’s.  The textile industry boomed, creating considerable wealth.  In the twentieth century though, the industry largely succumbed to competition first from the southern U.S. and then from off shore.  The businesses located in the mills ultimately failed or moved, for the most part.  The mills and the ancestors of those that worked in them (and didn’t relocate) remained.

It can be pleasantly jarring to drive along a relatively rural street, or walk through an old New England style center of town, and suddenly come upon a mill or what is left of one.  They were frequently quite large.  Not as large as those built along the Merrimack River in northeastern Massachusetts, but impressive nevertheless.  Some have burned (one hundred years of toxins can set the stage for quite a fire).  Some sit idle and some have been repurposed to mix use or most successfully it appears, as housing.

Deindustrialization, Uxbridge 1

Uxbridge, Massachusetts

 

Deindustrialization, Hopedale 1

Hopedale, Massachusetts

 

Hunt_181123__DSC8193-Edit-2

Hopedale, Massachusetts

 

Deindustrialization, Woonsocket,  Rhode Island, 1

Woonsocket, Rhode Island

 

Hunt_170924__1000378-Edit-Edit-Edit

Woonsocket, Rhode Island

 

Hunt_161127_1140363-Edit-2

South Grafton, Massachusetts

 

Deindustrialization - Providence 1

Providence, Rhode Island

 

Deindustrialization, Whitinsvillle, 1

Whitinsville, Massachusetts

 

Deindustrialization, Smithfield, Rhode Island 1

Ashton, Rhode Island

 

The mills tell a story that highlights the power of economic development.  These are just buildings though.  Obviously there’s more to the story.

Mills and Dams – The Bernat Mill

Chris, my wife, remembers going to the Bernat Mill store in Uxbridge, Massachusetts to buy yarn.  She certainly isn’t alone.  If you were into knitting, that was what you did in this area.  At one point, the mill was the third largest yarn mill in the U.S.  (Note, the brand still exists and is in use by another yarn manufacturer, Bernat.)  The mill itself had a long and exemplary career in the Blackstone River Valley.  The first iteration of the Mill was built there in 1820 by John Capron.  Why that location?  Falling water.   This is the current dam along the Mumford River that creates Capron Pond.  It’s quite a lovely place with a very nice park, a nice place to think, or have a picnic.

Hunt_180818_DSC7809-Edit

Capron evolved to the Backman Uxbridge Worsted Company.  They were the first manufacturers to utilize power loops in the U.S., a staggering change moving the industrial revolution forward.  Their ability to engage in mass production doubtlessly lead to their ability to land contracts for the production of Civil War uniforms, World War One Khakis and World War Two U.S. Army uniforms.  Those familiar with the U.S. Air Force dress blue uniform can take note, it was probably manufactured in that mill.  That blue was chosen from the Backman Uxbridge catalogue.

As it did with so many large manufacturers in the Valley, the bust stormed into town in the form of international competition, technological change and an aging plant.   In 1964 the assets were sold to the Bernat Company which refocused the mill on yarns.  As manufacturing declined, the mill was repurposed over time in what was actually a very successful conversion.  The class mill repurposing involves creating small spaces for retail, office and creative studios.  They must have worked quite hard on the conversion because by the night of July 21, 2007, something like 400,000 square feet which had been devoted to manufacture was productively employed by numerous small businesses.  Hundreds were employed there.  Unfortunately, that night and for several subsequent days the mill burned.

Hunt_180818_DSC7817-Edit

Hunt_180818_DSC2784-Edit-2

Hundreds of firefighters fought the blaze.  The complex was almost completely destroyed.  Most of the businesses, worth millions, were lost.  There are I would stress still a number of businesses remaining in a portion of the mill complex, but nothing like the number there prior to the fire.

Hunt_180818_DSC7815-Edit

The damage is still stunningly visible.  Government on several levels planned to help but those plans seem to have floundered.  This is of course not the first mill to burn in the Blackstone Valley.  Many of those mills absorbed a century or more of a variety of chemicals.  Some thought the fire at the Bernat Mill was almost inevitable.  The bust of an economic surge, particularly one that lasted as long as large scale manufacturing in the Blackstone Valley is extraordinarily difficult to manage.  These were very big businesses, not just for their time, but for any time.

“Under the Highway” at ArtsWorcester – Hanover Theater

I want to give a major thanks to ArtsWorcester, the cultural hub for emerging artists in Central Massachusetts, for the opportunity to present a solo exhibition of my work in the Franklin Square Gallery at the Hanover Center.  I’ve posted about the exhibition, “Under the Highway:  Blackstone River Landscapes,” recently but the opening was held on the evening of June 27th.  It was a terrific evening bringing together a wonderful combination of folks interested in the arts and the environment.  In particular, I want to thank Juliet Feibel, Executive Director who took the chance on staging the exhibition and guided everything from start to finish, Kate Rasche, Program Manager who got it done in the trenches, Tim Johnson, Art Preparator who hung the exhibition and Alice Dillon from Clark University who wrote a nice piece on the exhibition for visitors who stop by over the next four months.  The hanging of an exhibition as many of you probably know is an art in and of itself.   If the exhibition is not properly hung, including aesthetically hung, the individual pieces of art lose much of their impact.  It’s very hard work to hang an exhibition.  I know my limitations and Tim will never get any competition from me.

Typically, it’s helpful to get your name in the paper, though these days I’m not always so sure.  But there were two nice pieces in the Worcester Telegram and Gazette, pre and post opening.  Press and pictures from the Opening can be seen at that link.  Nancy Sheehan from the Telegram also wrote her very interesting take on the exhibition which she titled, “What nature has given us” which you can also check out by clicking on the link.  Thanks to the Telegram for supporting the arts with their coverage.

I have to throw in a another more general plug for ArtsWorcester.  As a business person for too many years, my eyes and ears are always assessing how a business is run.  Do they know what they are trying to do and do they provide a well orchestrated operation for getting it done.  ArtsWorcester gets high marks on all counts even though they are not a large organization.  I’ve worked with quite a few galleries over the years, and many of them are pretty shaky on both mission and execution.  As some of you may also know, ArtsWorcester has just had a very successful fund raising campaign in a very short period of time.  When donors are willing to vote with their wallets, something good is happening.

Finally, thanks to everyone who attended.  Your support means so much.

What the River Sees, Blackstone River- 2016