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Posts from the ‘urban nature’ Category

Winter in the Forest

It isn’t over yet.

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Let us hope that spring arrives soon, when it is supposed to arrive.

Herons Along the Blackstone River

It is very hard if you’re out in nature in New England on a routine basis to not develop a fascination with herons. These wonderfully large and patient birds are actually quite easy to photograph. Working stiffs, they only get annoyed with you if you get so close that you screw with their fishing. Can’t say that I blame them. Their markings and scars give each bird a distinctive purpose. For whatever reason, it has been a great year for heron along the Blackstone River. I thought I share a few environmental and reflective portraits as the season wanes.

hunt_160620_1120624-edit-editBlackstone River Heritage Park, Upton, Massachusetts

hunt_160815_1020843-edit-edithunt_160831_1130459-edit-edithunt_160831_1130468-edit-editBlackstone Valley Bicycle Path, Millbury, Massachusetts

hunt_160814_dsc4192-edithunt_160814_dsc4216-edit-editWoonsocket Falls, Woonsocket, Rhode Island

hunt_160831_1130586-edit-editBlackstone Valley Bicycle Path, Millbury, Massachusetts

Contemplating the Water

Last week I posted a series of images of the water flow at the South Natick Dam, along the Charles in Natick, Massachusetts.  Using long exposure techniques I’ve enjoyed studying the way the water flows around its various obstructions.  My interest in the water, and enjoyment of being at the water is hardly new or unique of course.  The flow of water has been providing sustenance and soothing to humanity for as long as we’ve been here (though it doesn’t seem to help us much in weeks like this one).  Focus on water is of course also not unique to humans.  I was reminded of this recently while continuing to photograph here.

Hunt_160705170703 - S. Natick - 7-Edit

Hunt_160709170703 - S. Natick - 26 Pan F-Edit

Hunt_160709170703 - S. Natick - 31 Pan F-Edit

Of course this fellow does it for a living.  Note that these are long exposures.  But he’s not moving. Those who photograph wildlife routinely will generally confirm that wild animals never actually stand still.  They may be quite, but not still.  He’s staring at the water and continued to do so for a good 20 minutes.  He then changed positions and continued his focused attention.  A young couple nearby struck up a conversation and reminded me that he’s doing that because he has to.  We listen to the water because we like it.  How did it all start?  We’ll see this fellow again soon.

Technical note:  These images were shot on film, TMAX 100 and Pan F 50.  Both are wonderful films, still available.  There is very  little grain visible except under a magnifying glass.  I sometimes shoot with film just to make me think about things in a more contemplative fashion.  I found it most helpful here.

Photoessay: The Blackstone River and Route 146

I’ve mentioned here that my current project focus is on the Blackstone River.  For those who don’t know, the Blackstone flows from Worcester, Massachusetts to Providence, Rhode Island.  It’s strategic importance as a source of power led to rather extreme levels of both entrepreneurship and exploitation spanning nearly two hundred years.  It remains in content with humanity even as interest in its natural potential grows.  That tension is most acutely visible, to me at least, along a two mile stretch of the river in Millbury and Worcester, Massachusetts. There the River contents with a super highway and a very active freight railroad line.  Being in the city, it also contends with city life and the best and worst that the city existence has to offer.  Here’s a portfolio of images from my travels there over the past year.

James Hunt_Blackstone River Portfolio 1_2016_01James Hunt_Blackstone River Portfolio 1_2016_02James Hunt_Blackstone River Portfolio 1_2016_03James Hunt_Blackstone River Portfolio 1_2016_04James Hunt_Blackstone River Portfolio 1_2016_05James Hunt_Blackstone River Portfolio 1_2016_06James Hunt_Blackstone River Portfolio 1_2016_07James Hunt_Blackstone River Portfolio 1_2016_08James Hunt_Blackstone River Portfolio 1_2016_09James Hunt_Blackstone River Portfolio 1_2016_10James Hunt_Blackstone River Portfolio 1_2016_11James Hunt_Blackstone River Portfolio 1_2016_12James Hunt_Blackstone River Portfolio 1_2016_13James Hunt_Blackstone River Portfolio 1_2016_14James Hunt_Blackstone River Portfolio 1_2016_15

Photoessay: Searching for a Mood Under the Highway

I hope you had a Happy Thanksgiving.  We did, it was great spending time with family as always.  I had much to be thankful for this year, including a more experimental attitude.  Why not?

I’ve been exploring the Blackstone River area in Massachusetts over the last few months.  It is striking just how much psychological as well as environmental territory the River covers.  Though it remains quite polluted from centuries of exploitation, stretches of the River are quite beautiful and natural.  Other stretches are, more complex.  No stretch of the River though, at least that I have traveled, requires more effort to understand than the Blackstone Valley Bike Trail in Worcester, Massachusetts, where the River originates.  Along this two mile or so stretch you will see the River, a super highway (Route 146), an active freight train yard and line, as well as legacy tracks, a Walmart and Sam’s Club, trees being cut by a beaver, beautiful small falls and rapids, trash and signs that say stay away from the water for health reasons.  It’s all right there.  Nature and civilization crash into one another at top speed in places and this is one of those locations.

I have photographed there for months, searching for the right way to capture the feel of such a complex place.  I’d used most every technological trick I could think of, but ultimately wasn’t satisfied.  I decided to go back and try again, this time with black and white film.  Digital is just capable of making pictures that are too perfect for this location it seemed to me.  Nothing about this location says “perfection.”  This work, like this location, is incomplete and some of the images you see here may not survive the next cut.  This is where things stand though at the moment.

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Hunt151123151120 - Rt 146 - 24

Hunt151107151106 - Rt 146 - 24

Hunt151124151120 - Rt 146 - 43-EditHunt151123151120 - Rt 146 - 32-Edit

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Shooting on film is interesting of course.  I realize that the look can be replicated in software using a digital means of capture.  But that somehow doesn’t seem quite right at times.  What is really different about shooting on film is the process.  You do indeed slow down.  You have to for economic reasons if nothing else.  For a time, you have to step away from the technological (rat) race.  It’s quite refreshing.

Tech Notes:  Shot on Kodak TMax and Ilford Delta films using a Nikon F6.  The later, for my money, remains the finest 35 mm camera ever made.  Negatives scanned on a Nikon 5000 film scanner and finalized in Lightroom/Photoshop (You can’t really escape the technology can you.)