Over this past six months I’ve been exploring a variety of ways of getting imagery out there in product form in a fashion that represents some of my thinking, beyond the single image. The first of these presents a series of images from the east coast of the U.S. on a topic soon to be of importance to everyone, the rising seas.
Click on the link here to download a pdf. You can view the pdf on either a tablet or a computer. Alas, the navigation buttons work only on a computer. However, on a tablet, you can just swipe. These images are also available as a folio with images and colophon, printed on archival matte paper, 8.5″ X 11″, boxed for $60.00. Contact me at firstname.lastname@example.org for more information. Thanks.
Like many, I’ve spent considerable time reacting to the thoughtlessness with which our elected officials in Washington ignore the truth. Most recently, we were told by our Secretary of Energy that carbon dioxide has nothing to do with the warming of the planet, which is fine because he also feels the planet isn’t warming. But of course it is. The growing season is longer, ice out is earlier and far worse things are happening to places like Tangier Island in the Chesapeake Bay (it is disappearing) and all over the world. Carbon dioxide and methane are the two gases in our atmosphere responsible for the warming of the planet. That is not a particularly controversial scientific statement. I could go on and on but the bottom line is that the assault on reality seems overwhelming. What does it mean to “resist” that assault?
I have always experienced the power of nature as inevitable which explains my interest in erosion among other things. On a recent trip to Portsmouth, New Hampshire, thanks to the advice of a friend, we drove along Ocean Blvd., Rt 1-A, new Odiorne Point State Park. New Englanders are pretty used to two kinds of coastlines: sandy beaches and granite. This beautiful stretch of highway has both, in the same location. You can see eroding sand, and massive granite formations touching one another. That granite isn’t going anywhere. Sure, granite can be moved, by glaciers. Anybody, other than the Secretary of Energy expect to see one of those in these parts anytime soon? Probably not. It will indeed erode over very very long periods of time, but so slowly, the water doesn’t represent a tremendous threat. It faces into the sea and the wind, regardless.
I remember once hearing Pete Seeger talk about resistance. He was reflecting on all of the painful times and threats he had witnessed over the course of his life. He didn’t seem to be the least bit deterred by the persistent nature of the forces with which he was engaged. He also didn’t seem fearful or likely to succumb to hopelessness. “We shall not be moved.” (based on the Biblical text, Jeremiah 17:8-9.) Perhaps we expect it to be easy.
I’m grateful to be able to announce a soon to be published portfolio in Black and White Magazine. My work “Lost in the Water” was chosen for a portfolio merit award and will be published this summer. For those who don’t know how such things work, in a portfolio competition, you submit one or more portfolios of as many images as the publication requests, grouped around a particular theme. The interesting question for me has to do with what the editors actually end up choosing to publish. It is almost never would I expect, reminding me once again just how subjective art really is. But no matter, as I said, I’m grateful. Here is my selection of a four favorites from the submission.
These are from a location that has become very special to me, the South Natick, Massachusetts Dam along the Charles River. I was able to work there even though I was pretty ill at the time. The River helped me a great deal and I’m also very grateful for that assistance as well.
If you want to see what the editors chose, you can find their take in Black and White Magazine (the U.S. publication), Issue 177, August 2017. Alas, photography magazines can be hard to find but Barnes and Noble is probably a good bet.
I’m again participating in the Atelier Exhibition at the Griffin Museum of Photography.
Atelier 25 opens tonight and runs through March 31. I want to thank Meg Birnbaum and Amy Amy Rindskopf for leading the exhibition. My work is from the “Lost in the Water Project.”
On display in the Winter Solstice Exhibition at the Griffin Museum of Photography, Winchester, Massachusetts, from December 8 through January 1.
Blackstone Canal, Uxbridge, Massachusetts – 2016.